Why I Prefer Black and White Photography

People often ask why so many of my photographs are in black and white. It's a fair question, especially when modern cameras produce such vibrant colour. The answer isn't that I dislike colour. Quite the opposite. Sometimes colour is an essential part of an image.

But for many of the photographs I create, black and white allows me to tell the story more clearly.

When colour is removed, something interesting happens. The eye is no longer drawn to bright reds, deep blues, or colourful distractions. Instead, it begins to notice light, shadow, texture, shape, and expression. Details that might otherwise be overlooked suddenly become part of the story.

This is especially true in the places I enjoy photographing.

An ancient abbey isn't simply a collection of old stones. In black and white, weathered walls, carved arches, and centuries of history seem to carry a different presence. The same is true in street photography. A passing glance, changing light, or someone quietly waiting at a bus stop often feels more timeless without the distraction of colour.

Portraits can benefit in much the same way. Black and white encourages us to look beyond clothing and surroundings and instead connect with expression, character, and personality.

That doesn't mean every photograph should be monochrome. Some images depend on colour to tell their story. Autumn landscapes, sunsets, or vibrant street art can lose something important if colour is removed. Choosing between colour and black and white is never automatic; each photograph deserves its own consideration.

For me, black and white is less about creating nostalgia and more about encouraging observation. It invites us to pause, to look a little longer, and perhaps notice something we might otherwise have missed.

Photography has always been about more than recording what stands in front of my camera. Whether I'm exploring historic architecture for Faith in Full Sight, discovering how the past shapes the present in Woven Through Time, documenting Industrial Heritage, or capturing everyday life in the street, my aim is always the same: to tell a story.

For me, some stories are simply told better in black and white.

What do you think?

Do you find yourself drawn to black and white photography, or does colour tell the story for you? I'd love to hear your thoughts in the comments below.